Likewise, they are outstanding testimonies of the process of evolution of local architecture and viceregal art, as a product of the transfer of technical and stylistic knowledge from Europe and the subsequent specialization of the native population in the work of masonry, stonecraft, carpentry, wood carving, smelters, etc. During the first years of the viceroyalty, due to the high presence of dispersed indigenous population, it was considered very necessary to establish indigenous reductions to enable the work of evangelization and conversion of the indigenous population and facilitate the collection of taxes, censuses among others aspects, in which large temples of a single nave with Renaissance façade and ornamentation and Mudejar coffered ceilings were built prevailing for the area in the second half of the sixteenth century and the first third of the seventeenth century, several of which are still conserved while many others were gradually replaced and equipped in the seventeenth and eighteenth centuries by new buildings and works of art in the current baroque style, due to the rise of mining in the region, the development of livestock and trade with Potosí. There are important challenges to be addressed in relation to the physical environment of the temples, particularly those related to the alteration of the respective urban environments. The baroque style entered in the high plateau of Collao towards the last third of the seventeenth century for the works promoted by the Bishop of Cusco Manuel de Mollinedo y Angulo in the construction of the temples of Ayaviri, Asillo and Lampa, consolidating in a special way in the eighteenth century in which remarkable works of religious architecture were developed, achieving what no previous style had achieved until that moment: to enter in the idiosyncrasy and feeling of the local population, becoming the trade of making architecture and art in almost exclusive patrimony of masters builders and indigenous and mestizo craftsmen who interpreted with their own abilities the architectural schemes and parties that had received of inheritance. The construction of the current temple dates from the second half of the eighteenth century, which has a Latin cross plan with side chapels, a barrel vault with a dome over the transept, a bell tower and an atrium surrounded by an entrance arch, among other aspects. The Collao region in the Andean high plateau (current department of Puno), is a remarkable testimony of the development and evolution of the Andean Baroque architecture of the last third of the seventeenth century and in the eighteenth century, influenced by the artistic and architectural tendencies of Cusco and Arequipa, two of the main regional schools of architecture and art of the viceroyalty, and by the great mobility of master builders and craftsmen, acquiring the new religious constructions which particular characteristics also influenced other regions of the current Peruvian-Bolivian high plateau. Take advantage of the search to browse through the World Heritage Centre information. 2900 of 12/28/1972 (San Carlos de Puno, Nuestra Señora del Rosario de Pomata, San Pedro de Zepita), and legally protected by the State through Law No. The Collao or Andean high plateau, is an extensive plain located at an average altitude of 3600 (m.a.s.l) that covers part of northern Argentina, western Bolivia, northern part of Chile and southern part of Peru, characterized by its great height (puna), relief, aridity, cold and dry weather with large thermal variations during the day and the presence of Lake Titicaca, which have influenced the development of flora and fauna and have made possible its continuous occupation for more than 5000 years, being an area of origin of numerous pre-Hispanic cultures, such as Tiahuanaco that reached a high degree of social, military and religious organization and in the transformation of the territory due mainly to the development of agriculture and the domestication of camelids, influencing notoriously in the development of various social formations in the region. On rk`bøe cko Hjoonj ke ko notbponej pkrunej (nhtuno ckpnrtnmketj ck Tuej), hjestbtuyk ue, cko sb`oj QVBB y ke ko sb`oj QVBBB, befoukehbncn pjr ons tkeckehbns nrtístbhns y nrqubtkhtøebhns, prjvkebketks ck Hushj y Nrkqubpn, cjs ck ons prbehbpnoks kshukons rk`bjenoks ck nrqubtkhturn, y nrtk cko vbrrkbentj, y n on `rne mjvbobcnc ck mnkstrjs ck jgrn y nrtksnejs, ncqubrbkecj ons, eukvns kcbfbhnhbjeks rkob`bjsns hnrnhtkrístbhns prjpbns quk n su vkz befoukehbnrje jtrns, mjeumketnobcnc y hnobcnc ck su fîgrbhn, nsí hjmj pjr on rkhbkcumgrk quk ok hjefbkrk ko usj, ko usj ck on gøvkcn ck hnþøe, skn ck pbkcrn j ck qubehan, ons kongjrncns pjrtncns rktngoj, Do not sell or share my personal information. 9400 of 10/15/1941 (San Francisco de Asis de Ayaviri, San Geronimo de Asillo), Supreme Resolution No. Ons nrtks y on nrqubtkhturn ke `kekrno nohneznrîe bmpjrtnetks rknobznhbjeks ke, kstk pkríjcj, ckhnykecj ejtngokmketk ke on sk`uecn mbtnc cko sb`oj QVBBB, snovj no`uens, On nrqubtkhturn fuk uej ck ojs hnmpjs ke quk on b`oksbn ckstnhø pjr ko eümkrj, mn`ebtuc y, kongjrnhbøe ck ons jgrns, hjevbrtbâecjsk ojs, nrtístbhn y nrqubtkhtøebhn y ck ckmjstrnhbøe pnopngok ck su bmpjeketk prkskehbn hjmj, bestbtuhbøe kspbrbtuno y rkprksketnetk cko cjmbebj kspnþjo. El interior de los templos también aporta un conjunto de sorpresas. Exconvento de San Bernardino. En México, y particularmente en la región poblano-tlaxcalteca, la huella del indio quedó plasmada en los templos incluso después de dos siglos de colonización. On rk`bøe cko Hjoonj j notbponej necbej ej kstuvj no mnr`ke ck cbhans, su `rne pjgonhbøe k bmpjrtnehbn khjeømbhn (mbekrín, `nenckrín, n`rbhuoturn), nckmîs ck, kehjetrnsk ke on rutn quk hjekhtngn Obmn y Hushj hje Tjtjsí, prbehbpno hketrj mbekrj y `rne, mkrhncj hjmkrhbno cko vbrrkbentj ke ojs sb`ojs QVBB y, Ko Hjoonj j notbponej necbej, ks uen kxtkesn ponebhbk ugbhncn n uen notbtuc mkcbn ck, hnrnhtkrbzncn pjr su `rne noturn (puen), rkobkvk, nrbckz, hobmn. Ons nrtks y on nrqubtkhturn ke `kekrno nohneznrîe bmpjrtnetks rknobznhbjeks ke, kstk pkríjcj, ckhnykecj ejtngokmketk ke on sk`uecn mbtnc cko sb`oj QVBBB, snovj no`uens, On nrqubtkhturn fuk uej ck ojs hnmpjs ke quk on b`oksbn ckstnhø pjr ko eümkrj, mn`ebtuc y, kongjrnhbøe ck ons jgrns, hjevbrtbâecjsk ojs, nrtístbhn y nrqubtkhtøebhn y ck ckmjstrnhbøe pnopngok ck su bmpjeketk prkskehbn hjmj, bestbtuhbøe kspbrbtuno y rkprksketnetk cko cjmbebj kspnþjo. NUESTRA SEÑORA DE ROSARIO OR SANTIAGO APOSTOL TEMPLE. Publications World Heritage Review Series Resource Manuals World Heritage wall map More publications ... Funding World Heritage Fund International Assistance. Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. The execution of these pictorial works was mainly in the hands of indigenous and mestizo artists, whose cultural heritage bequeathed by their ancestors influenced their works in which the native flora and fauna are frequently represented, which were very traditional reasons in the pre-Hispanic period. ke on rk`bøe, ko cksnrrjooj ck on `nenckrín y ko hjmkrhbj hje Tjtjsí. The main architectural works that were developed mainly were religious, since by real order, the first building that should be built in any new town should be a temple or chapel. Lampa. Ocotlán es uno de ellos, lo mismo que Santa María Magdalena Tlatelulco y San Dionisio Yauhquemehcan, cuya decoración interior responde de manera más fiel al estilo barroco. A excepción de uno de los doce templos, el de Tepeyanco, todos los demás tienen la orientación de su crucero hacia el oriente, la dirección de Jerusalén, donde fue crucificado el Redentor. Nombre del Bien: Templos Barrocos del Collao Estado, Provincia o Región: Perú, Región Puno, provincias de Melgar, Azángaro, Lampa, Puno y Chucuito, distritos de Ayaviri, Asillo, Lampa, Puno, Juli, Pomata y Zepita. The religious structures themselves are examples of initial early constructions of the doctrines, of simple characteristics and scale, most of which retain almost all of their original design, construction and formal characteristics at the end of the 16th century and the first third of the 17th century, such as Oropesa, Huaro, Andahuaylillas, Huarocondo, Checacupe, Canincunca and Colquepata, while others were partially or totally rebuilt after the earthquake of 1650 following the same trace and form and using the same materials, such as Ocongate, Ccatcca and Marcapata, that with the passage of time received new contributions or modifications in response to seismic movements or due to the influence of the new stylistic tendencies of each era. A similar situation is present in the serial temples inscribed in the Indicative Lists of the State Parties that represent the rural architecture of the doctrines in the Andes as the Churches of the Altiplano (Chile) and the Temples of the Catholic Doctrine (Colombia). The doctrine churches can also present certain elements such as balconies, loggias (open chapels) on the standing façades or on the side, as well as a series of small chapels arranged in the atrium and the plaza whose fundamental reason was to allow the mass catechization of the population. 011-2006-ED) and by the Political Constitution of Peru, in addition to other complementary norms. Already in the 17th century, the Cusco school was consolidated, the notable indigenous painters Diego Quispe Tito and Basilio Santa Cruz Puma Callao were active and in the 18th century Marcos Zapata stood out, among others, who disseminated the painting of the Cusco school thanks to its extensive production of canvases of various formats, spreading their works in the southern area of the viceroyalty, to the current territories of Bolivia, Chile and Argentina. 28296, Act No. 27972, Organic Law of Municipalities and the Act No. Los Retablos dorados de Nueva España o retablos novohispanos son los altares de los templos católicos ubicados en México, Guatemala, y Honduras, y que fueron realizados durante el periodo colonial entre los siglos XVI y XVIII. Algunos elementos, como los mascarones que vomitan frutas (signo de la abundancia y la gula) o los rostros de cuyas bocas surgen innumerables volutas que se integran al follaje circundante, evocan detalles de la capilla del Rosario y de Santa María Tonantzintla en Puebla. It was built between 1677 and 1696 due to the encouragement of the Bishop of Cusco, Manuel de Mollinedo y Angulo, for being in ruins the pre-existing temple of the sixteenth century. Take advantage of the search to browse through the World Heritage Centre information. cksck anhk mîs ck ;444 nþjs, sbkecj zjen ck jrb`ke ck eumkrjsns huoturns prkabspîebhns, hjmj Sbnaunenhj quk nohneznrje ue notj `rncj ck jr`nebznhbøe sjhbno, mbobtnr y rkob`bjsn y ke, on trnesfjrmnhbøe cko tkrrbtjrbj ckgbcj prbehbpnomketk no cksnrrjooj ck on n`rbhuoturn y on, fjrmnhbjeks sjhbnoks ke on rk`bøe. Los Templos Barrocos del Collao fueron inscritos en la Lista Indicativa del Patrimonio Mundial de la Convención de UNESCO de 1972 como bien cultural bajo los criterios C (ii) y (iv) en el año 2019. The protection and supervision of the temples is in charge of the Ministry of Culture through its Decentralized Directorate of Culture of Cusco, sharing responsibilities with local governments (municipalities) and the Regional Government of Cusco, pursuant to the Act No. The Italian painter Bernardo Bitti of the Jesuit order who introduced Mannerism in South America upon his arrival in 1583, marking a first moment in Cusco painting; also highlights in that period the work of the Italian painter Angelino Medoro and his disciple Luis de Riaño, author of the murals of the temple of Andahuaylillas. China tiene una historia que abarca miles de años, y tal vez no haya mejor testimonio de su pasado largo y variado que sus templos. The works had to suffer delays by the Rebellion of Túpac Amaru, restarting it in 1788 to be completely finished in 1794 due to the contribution of owners of mining deposits. AUTHENTICITYAll the original attributes of form and design, materials, construction techniques, location and landscape environment that characterize the religious architecture developed in the Collao region and illustrate its evolutionary process are present in the set of the nine selected temples from the influences received in the seventeenth century from the regional schools of Cusco and Arequipa, as well as the knowledge of design and construction techniques transmitted by the Spanish Master Builders to the indigenous and mestizos, and the local aesthetic contributions that defined in the eighteenth century a fusion of trends and architectural and artistic knowledge and the transfer of aesthetic criteria to other regions of the Peruvian and Bolivian high plateau. The arts and architecture in general will achieve important accomplishments in this period, declining markedly in the second half of the eighteenth century, with some exceptions, until the beginning of the nineteenth century in which the independence takes place. Como en las fachadas, encontramos contrastes estilísticos; sin embargo, hay varios templos que pueden presumir de unidad arquitectónica gracias a que no fueron construidos en distintas etapas. The World Heritage Centre is at the forefront of the international community’s efforts to protect and preserve. The presence of the church in the new colonies was of enormous importance for the Spanish Empire, which, arguing that the political unity of the Empire should be based on religious unity, determined that the conquest of the new territories was made not only by the sword but also by the cross. The great skill of the Indians in the construction, and in the learning of the new labors, as well as the later participation of the mestizos in all the trades and jobs, helped to the creation of a viceregal architecture of high level between the American colonies without more assistance than their craft-level experience. San Luis Teolocholco, San Nicolás Panotla, Santa Inés Zacatelco, San Antonio Acuamanala, Santo toribio Xicohtzinco, Santa María Atlihuetzia, Santa Cruz Tlaxcala y la Parroquia Palafoxiana de Tepeyanco) en compañía de mis amigos de turismo del estado, nos dará una amplia visión de los distintos elementos estilísticos del conjunto arquitectónico. The rural temples of Cusco are remarkable and very representative examples of the first doctrine temples built in the Cusco region, which illustrate both in their architecture and interior equipment, the material expressions of the evangelization process used by Spanish religious through visual resources destined to impress and instruct the natives, transmitting religious teaching, ideas, values, social principles, behavioral norms, etc. Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world, where sites are vulnerable to the effects of uncontrolled urban development, unsustainable tourism practices, neglect, natural calamities, pollution, political instability, and conflict. El contraste de estilos no significa que los templos carezcan de belleza o de armonía. Declaration of principles to promote international solidarity and cooperation to preserve World Heritage, Heritage Solutions for Sustainable Futures, Recommendation on the Historic Urban Landscape, Central Africa World Heritage Forest Initiative (CAWHFI), Reducing Disasters Risks at World Heritage Properties, World Heritage and Sustainable Development, World Heritage Programme for Small Island Developing States (SIDS), Initiative on Heritage of Religious Interest, Protection of human rights (Procedure 104). The first influences in Cusco were of the Sevillian tenebrism that derived over time in local tendencies by the indigenous influence, inspired compositionally in the flamenco prints. Later, it was renovated in the second half of the eighteenth century with the construction of the current vaults and the pitched roof with colored glazed roof tiles. Originally called San Idelfonso and then Santa Cruz de Jerusalén, the original temple collapsed in 1741 and was rebuilt almost in its entirety, opening in 1753. La legislación peruana sobre el Patrimonio Cultural, Órganos Consultivos del Comité del Patrimonio Mundial, Los Estados Parte de la Convención de 1972, Fondo del Patrimonio Mundial y la Asistencia Internacional. Latitud y longitud, o coordenadas UTM DPTO PROV INC A DISTRITO TEMPLO COORDENADAS UTM (DATUM WGS84) NORTE ESTE There the doctrines -mainly in charge of priests of the secular clergy- were established, whose main objective was the evangelization of the population following the norms given from the beginning by the Lima Council of 1551-1552 and 1584-1585, which determined the foundation and functions of the same, in the same way ruled the construction of the temples by guidelines that were not fulfilled in its entirety. Abrir o menu de navegação. During the second half of the 16th century and the beginning of the 17th century the temples in the rural areas of Cusco raised for doctrine purposes, were characterized by their formal and constructive simplicity, developing a single-nave plant with volume of horizontal tendency that hierarchizes certain key elements; the area of the presbytery is announced with autonomy from the rest of the roof demonstrating the existence of an independent Artesonado. The conservation and restoration interventions carried out by the State in the last two decades followed the principles and recommendations established in the international documents of UNESCO and ICOMOS and have allowed to maintain the authenticity of the design, materials and constructive systems of the buildings, as well as the original characteristics of the furniture, works of art and mural painting that characterize the interior treatment and sacralization of the temples. The Tentative Lists of States Parties are published by the World Heritage Centre at its website and/or in working documents in order to ensure transparency, access to information and to facilitate harmonization of Tentative Lists at regional and thematic levels. 28296, Law No. frbj y skhj hje `rnecks vnrbnhbjeks târmbhns curnetk ko cín y on prkskehbn cko on`j Sbtbhnhn. Ejemplos. Estos altares, especialmente los del periodo tardío o Barroco mexicano, se caracterizaron por la profusión de sus . TEMPLOS. La combinación de un estilo oficial y académico impulsado por los criollos, y uno popular y espontáneo ejecutado por indígenas o mestizos, será la característica que imprima insólitos matices, a veces contradictorios pero de curiosa armonía, a los templos barrocos tlaxcaltecas. Son notorios los cambios experimentados en las distintas etapas constructivas, e incluso hay torres que no terminaron de construirse, como la de Tepeyanco. 27972 Organic Law of Municipalities and Law No. Pronunciación. The set of rural temples of Cusco preserves its typological, constructive, formal and original site characteristics that express the architectural, artistic, historical and urbanistic values, as well as the religious uses and functions in all cases, being present together all the exceptional attributes that allow its recognition and interpretation, as well as having sufficient size to adequately guarantee the representation of the Outstanding Universal Value. Fechar sugestões Pesquisar Pesquisar. Iglesia de Santa Ana (Ciudad de México) Iglesia de Santa María la Redonda (Ciudad de México) Iglesia de Santa Teresa la Antigua. From Cusco, this school of mural painting covers the center in the area of Ayacucho or Aymaraes and to the south all Collao, continuing through Bolivia to the Argentinean and Chilean North (Gutiérrez, 1978: 111). La región de Puebla-Tlaxcala tuvo una gran importancia económica, política y religiosa durante los siglos XVII y XVIII. Artista y artífices barrocos en Guadalajara. 352/INC del 03/10/2006 (San Juan Bautista de Ccatcca), Vice-Ministerial Resolution No. Criterion (iv): During the 16th and the first half of the 17th century, religious architecture in Peru retained the constructive and aesthetic guidelines established by the Spaniards but with certain differences resulting from the adaptation of European models to the diversity of climates and geography, availability of existing materials in each geographical area, the patterns of settlement, the frequency of earthquakes in some areas, the availability of skilled and unskilled labor, and the presence of a pre-Columbian past whose contribution is present mainly in painting on canvas and mural painting. pacific ocean ecuador bolivia peru map chile brasil lima colombia puno regional limits road river contour lines provincial limits 2 3 4 6 8 santiago apostol san carlos Situados la mayoría junto a las carreteras que comunican a las capitales tlaxcalteca y poblana, son de fácil acceso para los visitantes, y sin embargo permanecen ignorados. frbj y skhj hje `rnecks vnrbnhbjeks târmbhns curnetk ko cín y on prkskehbn cko on`j Sbtbhnhn. N pksnr ck quk on nrqubtkhturn, vbrrkbeno pukck hjesbckrnrsk hjmj uen kxtkesbøe ck on nrqubtkhturn kspnþjon y ke mkejr, mkcbcn kurjpkn ck ojs sb`ojs QVB no QBQ, ke tbkrrns nmkrbhnens kehjetrø fnhtjrks ckhbsbvjs, mnrhncnmketk ke on hjehkphbøe ck ons jgrns y ok hjefbrbkrje sb`ebfbhnhbøe k bcketbfbhnhbøe, ojhno. Criterion (ii): The set of doctrine rural temples for the evangelization of the indigenous population of Cusco, constitutes a very complete and representative example of architecture and art developed in doctrines established in the territories of the new world under the dominion of the Spanish crown, from the 16th century until the beginning of the 19th century, a period in which multiple stylistic and aesthetic expressions were developed based on the currents of religious and enlightened thought of each era, which served as a means for teaching Christianity to the illiterate population and for transmitting values and concepts according to the doctrine of the church and principles of the Spanish administration. The South American region was of great importance in the evangelizing process carried out by European religious since the sixteenth century, which is evident by the large number, diversity and wide distribution of temples in all the territories under the control of the Spanish Crown, which bear witness the work done and the long tradition in the thought, culture and identity of the population up to the present. Bien mix to inscrito en 1983 . Sabido es de todos que nuestra provincia de Guadalajara encierra por todos sus pueblos un contingente impresionante de obras de arte, que a pesar de las guerras, los destrozos y la rapiña, ha llegado hasta nuestros días en cantidad suficiente como para levantar la . Thus, of the total of religious properties registered worldwide (27 properties), only 19% (05 properties) correspond to South America, increasing to 30% (08 properties) the examples at continental level. La catedral de Morelia tiene las cuartas torres más altas de México (Foto: ShutterStock) Son 4 iglesias barrocas en México que recomendamos visitar. En algunos convergen con éxito el barroco y el neoclásico, incluso otorgando este último un respiro visual a los recintos. The church in America was not only supported by the protection of the crown but also had an advantageous position in Hispanic society, all of which was reflected in the spiritual, intellectual and material (temples, convents, schools, universities, agricultural farms, residences, etc.). Likewise, most temples maintain their use and function as places of cult, having converted a few to other uses due to the extinction of the cult in the nineteenth and twentieth centuries, as is the case of the temples of Juli Santa Cruz de Jerusalem and San Juan de Letran. Its construction began in 1678 by order of the Bishop of Cusco, Manuel de Mollinedo y Angulo, replacing the previous temple of the sixteenth century, concluding the work in 1685 that presents a Latin cross plan with two baroque façades of great design and workmanship. Esta iglesia, junto con la Catedral, es considerada una de las más bellas edificaciones religiosas de la ciudad. On rk`bøe cko Hjoonj j notbponej necbej ej kstuvj no mnr`ke ck cbhans, su `rne pjgonhbøe k bmpjrtnehbn khjeømbhn (mbekrín, `nenckrín, n`rbhuoturn), nckmîs ck, kehjetrnsk ke on rutn quk hjekhtngn Obmn y Hushj hje Tjtjsí, prbehbpno hketrj mbekrj y `rne, mkrhncj hjmkrhbno cko vbrrkbentj ke ojs sb`ojs QVBB y, Ko Hjoonj j notbponej necbej, ks uen kxtkesn ponebhbk ugbhncn n uen notbtuc mkcbn ck, hnrnhtkrbzncn pjr su `rne noturn (puen), rkobkvk, nrbckz, hobmn. Publications World Heritage Review Series Resource Manuals World Heritage wall map More publications ... Funding World Heritage Fund International Assistance. More Contacts Site Map Become a member Donate Now! Esta característica hace que la tarde sea el mejor momento para fotografiarlos. Templos barrocos del Collao, Ministerio De Cultura, 0% found this document useful, Mark this document as useful, 0% found this document not useful, Mark this document as not useful, Save Templos barrocos del Collao For Later, Tkrü, Wk`bøe Tuej, prjvbehbns ck Mko`nr, Nzîe`nrj, Onmpn, Tuej y, Hauhubtj, cbstrbtjs ck Nynvbrb, Nsbooj, Onmpn, Tuej, Luob, Tjmntn y, kspnþjo quk, hje nr`umketj ck quk on uebcnc pjoítbhn cko Bmpkrbj ckgín gnsnrsk ke on uebcnc, rkob`bjsn, cktkrmbeø quk on hjequbstn ck ojs eukvjs tkrrbtjrbjs sk abhbkrn ej sjoj pjr on kspncn, kstrkhanmketk vbehuoncjs ke on fjrmnhbøe y cksnrrjooj ck ons eukvns hjojebns. 13437 dated 09/02/1960 (San Pedro Apostol de Andahuaylillas), Supreme Resolution No. The new temple of "lime and stone" presents Latin cross plant and one of the best and most elaborate altarpieces of the region with abundant ornamentation that includes motifs of the Andean flora and fauna. El púlpito de San Antonio Acuamanala, también de cantera, tiene labrados algunos rostros, racimos de vid y otros elementos de ornato que inmediatamente llaman la atención. Property names are listed in the language in which they have been submitted by the State Party. Esta iglesia tiene la característica poco común de contar con dos cúpulas en su nave, lo que le da una gran vistosidad y luminosidad al recinto. 12 monumentos barrocos que me vuelven loco. Describir aun en forma somera los doce templos que visitamos, demandaría mucho espacio y nos obligaría a constreñir la narración, por lo que creemos más apropiado hablar de las convergencias y divergencias del conjunto, para que así el lector tenga una idea general de los espacios arquitectónicos que le sea útil cuando decida apreciarlos con sus propios ojos. Thus, the total of religious properties registered worldwide (27 properties), only 19% (05 properties) correspond to South America, increasing to 30% (08 properties) as examples at the continental level. El estilo barroco se desarrolló en el Siglo XVI en Italia y otros países de Europa. The conservation and restoration interventions carried out by the State in the last two decades have followed the principles and recommendations established in the international documents of UNESCO and ICOMOS and have allowed to maintain the authenticity of the design and materials of the buildings. Muy cerca de la capital de Tlaxcala, en el centro del estado, existe al menos una docena de templos barrocos dignos de admiración y de estudio. Se irradió también en América Latina por medio de la colonización. SAN PEDRO TEMPLE. All the original attributes of form and design, materials and substance, construction techniques, location and landscape environment that characterize the religious architecture developed in the Cusco region and illustrate the evolutionary process through more than 400 years; as well as local and external contributions that defined their current integral characteristics are present in the set of temples. Catedral de Juli. Representan la fusión del diseño y construcción de templos bajo influencia de las escuelas regionales cusqueña y arequipeña, utilizando materiales, formas arquitectónicas y motivos ornamentales locales con alto contenido simbólico, comprendiendo un legado de aproximadamente nueve templos edificados gracias a la promoción y dirección de las órdenes religiosas, párrocos seculares y obispos la Iglesia Católica entre los siglos XVII y XVIII, durante el periodo del virreinato del Perú, con el propósito de evangelizar a la población indígena local, tanto quechua como aymara, y apoyar su incorporación al proceso administrativo y productivo español. 9342 of 02/20/1941 (Santiago Apostol de Lampa), Law No. Te damos consejos desde la despedida de soltera, tus invitaciones de boda y hasta los centros de mesa para boda. 515 of 12/01/1959 (San Pedro Martir de Juli, Santa Cruz de Jerusalem de Juli) Supreme Resolution No. Emilio Hart-Terré. In particular, the existence of two or more temples frequently found in the Aymara populated centers, which respond to the organization of the population based on ayllus (extended family community) forming neighborhoods, being Juli the most notable case in having four large temples corresponding to the four ayllus existing in the reduction, whose Renaissance buildings in origin were transformed in the eighteenth century in the Baroque style by the Jesuits, who had been in charge of this doctrine since 1576 establishing the first permanent mission of this religious order in the continent, which also served as a training center for the missions of Paraguay, maintaining a unique status and constituting a relevant center of culture in Collao during the viceroyalty. The sole responsibility for the content of each Tentative List lies with the State Party concerned. The construction of retables, pulpits and choirs produced the most notable works in the Baroque period, whose decorative richness and profusion of details, incorporated although limitedly, the repertoire of indigenous motifs. Revista Anales del Instituto de Investigaciones Estéticas de la UNAM Tal vez el ejemplo más característico sea la iglesia de Santa María Tonantzintla, al sur de Cholula, con sus yeserías policromadas que compiten en profusión de elementos con el follaje dorado de la Capilla del Rosario en Puebla. Aseguran algunos expertos que el estilo artístico barroco dio sus primeros pasos a comienzos del siglo XVII. Although it can be understood that the category is sufficiently represented worldwide, a lack of balance may be noted in the distribution by regions of the registered properties, which is not necessarily due to the absence of relevant examples or that the existing ones lack of Exceptional Universal Value. Pasó a ser parroquia en 1602. Los templos barrocos del Collao mantienen en general completas sus características tipológicas, constructivas, formales y de emplazamiento originales que expresan sus valores arquitectónicos, artísticos, históricos y urbanísticos, así como los usos y funciones religiosos en la mayoría de los casos, estando presentes en conjunto todos . Localización: Departamento del Cuzco. La arquitectura barroca se desarrolló entre finales del siglo XVI y la primera mitad del siglo XVIII aproximadamente. The publication of the Tentative Lists does not imply the expression of any opinion whatsoever of the World Heritage Committee or of the World Heritage Centre or of the Secretariat of UNESCO concerning the legal status of any country, territory, city or area or of its boundaries. Conoce México, sus tradiciones y costumbres, pueblos mágicos, zonas arqueológicas, playas y hasta la comida mexicana. 2900 dated 12/28/1972 (San Juan Bautista de Huaro, San Salvador de Oropesa), Supreme Resolution No. Los viajeros que pasan por la región y que muestran interés por la arquitectura colonial tlaxcalteca rara vez oyen hablar de otros templos que no sean el Santuario de Ocotlán y el ex Convento de San Francisco, maravillas arquitectónicas sin lugar a dudas, pero no las únicas. Desde su fundación, sólo fueron necesarias algunas décadas para situarla a la par que México como la metrópoli más importante de la América española. pt Change Language Mudar o idioma. The conjunction of influences and local contributions received and reinterpreted locally, generated unique examples of religious buildings of great architectural value, which acquire high symbolic value as sacred places within the particular religious worldview of the inhabitants of Collao of cult extraversion, and present notable features as part of the evolutionary process of the architecture of the temples, evident in their volume and mass that allows them to stand out notoriously from the profile of the populations in which they are located constituting a visual and belonging landmark; in the hierarchy of its location within the urban traces, constituting at the same time centers of urban organization; in its plants of Latin cross with the traditional elongated and narrow naves that constitute a persistence of the proportions of the Renaissance temples of the region; in the development of very elaborate altarpiece façades that ratify the baroque idea of façades in relation to the urban space and the building; in the application of the ornamental carving in stone of planiform character, of deep incisions and edges carved to bezel that accentuate the feeling of the chiaroscuros and that incorporates motifs of the local flora and fauna together with prehispanic motifs, classical and Christian mythology, composing an iconography with great symbolic content; in the large atriums mostly fenced for liturgical use, ritual festivities and as a cemetery. This is how two architectural tendencies marked in the region during the Baroque are evidenced: the developed from the transmission of European canons within the limits of the populations of Quechua origin, in the plains of the high plateau lacking in vegetation far from Lake Titicaca and of rigid weather, like San Francisco de Assis de Ayaviri, San Geronimo de Asillo and Santiago Apostol de Lampa, whose influence was determined by the geographical proximity and administrative-religious dependency with the city of Cusco, as well as the decisive intervention of the Bishop of Cusco and great patron Manuel de Mollinedo y Angulo after the earthquake of 1650; and the one developed in the Aymara area near the shores of Lake Titicaca, linked to the Bishopric of Charcas (present-day Bolivia) from the eighteenth century as Nuestra Señora del Rosario de Pomata, San Pedro de Zepita, San Carlos de Puno (Minor Basilica Cathedral), as well as the temples of Juli San Pedro Martir and Santa Cruz de Jerusalen, where the monumentality and sobriety of the architecture of Cusco are combined with the planiform decoration of Arequipa origin applied to the façade and some interior elements to which they are added, without modifying their schemes and in an archaizing and extensive manner, elements of the Andean and tropical flora and fauna, of classical mythology such as mermaids and masks, and pre-Hispanic motifs such as the sun, the moon, the puma, etc., all these elements present in the worldview of the local inhabitants, identifying also the representation of myths and legends. The proposal of the baroque temples of Collao is situated in this aspect, as representative examples of the rural religious architecture of the baroque period in the Andes. Al menos hay dos en buen estado (los de Ocotlán y Zacatelco) esperando, pacientemente, las manos virtuosas que rijan el camino de los vientos hacia la armonía celestial. close menu Idioma. Pomata. All the selected temples are now part of the National Cultural Heritage, declared as Monuments by Act No. The Tentative Lists of States Parties are published by the World Heritage Centre at its website and/or in working documents in order to ensure transparency, access to information and to facilitate harmonization of Tentative Lists at regional and thematic levels. En la arquitectura barroca domina la riqueza ornamental, la monumentalidad, el efectismo, la . The ornamental stone carving was also developed mainly in the construction of the facades of temples and homes. Nombre del Bien: Templos Barrocos del Collao Estado, Provincia o Región: Perú, Región Puno, provincias de Melgar, Azángaro, Lampa, Puno y Chucuito, distritos de Ayaviri, Asillo, Lampa, Puno, Juli, Pomata y Zepita. On the other hand, the Jesuit Missions of the Chiquitos (Bolivia), the Jesuit Block and Estancias of Córdoba (Argentina) and the Churches of Chiloe (Chile), aside from presenting remarkable architectural and constructive differences among themselves and with the rural temples of Cusco, they do not particularly stand out in the artistic values ​​of the furniture, interior ornamentation and liturgical articles that complement the building (observing that the opposite is true with rural temples of Cusco), being the architectural aspect of the first what almost exclusively sustains the Outstanding Universal Value of each case. Although the viceroyalty architecture can be considered as an extension of Spanish architecture and to a lesser extent of European architecture from the sixteenth to the nineteenth centuries, in American lands it found decisive factors of a social, political, economic, cultural, geographical and climatological aspects that strongly influenced in the design of the works and granted significance and local identification. Cuando los españoles llegaron a México lo utilizaron en varias . El contraste de estilos en las fachadas es evidente, combinándose elementos barrocos con frontis austeros y platerescos. The façades, generally of Renaissance style in brick, are clearly incorporated into the integral volume to which they are subordinated, making the sensation of mass predominate (Gutiérrez, 1978: 100). of the eighteenth century. It has a Latin cross and highlights the profuse carving of its altarpiece and interior cover, mainly in the sector of the transept and the presbytery, with mestizo ornamentation. ke on rk`bøe, ko cksnrrjooj ck on `nenckrín y ko hjmkrhbj hje Tjtjsí. Se encuentra localizado geográficamente entre Arequipa, el lago Titicaca y Potosí, en lo que hoy son el Perú y Bolivia, desde donde se enseñorea . Our Partners and of various arts. y redil espacioso donde encierra. Zepita. The publication of the Tentative Lists does not imply the expression of any opinion whatsoever of the World Heritage Committee or of the World Heritage Centre or of the Secretariat of UNESCO concerning the legal status of any country, territory, city or area or of its boundaries. The sole responsibility for the content of each Tentative List lies with the State Party concerned. In the 17th century in the Viceroyalty of Peru, three local schools or centers in sculptural production stood out. cksck anhk mîs ck ;444 nþjs, sbkecj zjen ck jrb`ke ck eumkrjsns huoturns prkabspîebhns, hjmj Sbnaunenhj quk nohneznrje ue notj `rncj ck jr`nebznhbøe sjhbno, mbobtnr y rkob`bjsn y ke, on trnesfjrmnhbøe cko tkrrbtjrbj ckgbcj prbehbpnomketk no cksnrrjooj ck on n`rbhuoturn y on, fjrmnhbjeks sjhbnoks ke on rk`bøe. Ubicado a 2.430 metros de altura en un paraje de gran belleza, en medio de un bosque tropical de montaña, el santuario de . Over time, in the eighteenth century, the exchange of values and transfer of knowledge in the construction activity that goes from Spanish to indigenous and mestizo is completed, also receiving the ornamental influence of Arequipa, assuming the latter the roles of design and direction of the works, doing what they know how to do for what they have learned from the Spanish master builders and for the empirical tradition, reducing the peninsular presence almost completely in the creative and execution processes, facilitating in this way the contribution of local forms and aesthetics that give a unique architectural identity typical of the region that has been integrated with the surrounding wild landscape. On b`oksbn ke, tnmgbâe hje uen pjsbhbøe vketnljsn ke on sjhbkcnc abspîebhn, tjcj oj huno sk rkfoklø ke ko, jrcke kspbrbtuno, betkokhtuno y mntkrbno (tkmpojs, hjevketjs, hjok`bjs, uebvkrsbcncks, fuecjs, ko hketrj pjoítbhj y huoturno mîs bmpjrtnetk ck Nmârbhn cko Xur tkebkecj su mnyjr npj`kj ke, ko sb`oj QVBB. This characteristic was common to all the possessions of the Spanish Crown in the New World, appearing with greater intensity in the centers of architectural and artistic production, as well as in its areas of influence; however the doctrine temples had begun to dramatically reduce their furniture and liturgical ornaments due to economic needs, natural disasters, political aspects, revolutions, robberies, fires, abandonment, etc. 4 iglesias barrocas por conocer en México. In this sense, the assets related to the Jesuit Missions of the Guaranies - (Argentina and Brazil) and the Jesuit Missions of La Santisima Trinidad de Paraná and Jesús de Tavarangue (Paraguay), constitute valuable architectural testimonies of the missionary complexes in the central region of South America, but lack interior equipment due to their condition of archaeological sites. SANTA CRUZ DE JERUSALEN TEMPLE. More Contacts Site Map Become a member Donate Now! Templos barrocos del Collao, Ministerio De Cultura by master_quispe. En la jurisdicción de Tixkokob se pueden visitar las haciendas de Aké, Chi, Kanyunyún, Nohchán y de Santa María. La técnica proviene de la arquitectura andaluza y tiene su origen en los países árabes. Iglesia de Santiago Apóstol (Teapa) Iglesia de Santo Domingo (Ciudad de México) Iglesia de Santo Domingo (San Cristóbal de Las Casas) Iglesia del Cristo de Mapethé. Criterion (ii): The baroque temples of Collao are remarkable testimonies of the confluence of architectural and artistic currents from Cusco and Arequipa, two of the most important centers of cultural diffusion and production of the ancient viceroyalty of Peru that constituted regional schools derived from the Spanish architectural tradition but with a strong regionalist interpretation, developing particular characteristics in the high plateau region, both formal and decorative by the local contributions of the hands of the indigenous and mestizo builders and craftsmen, who learned and made own the knowledge of design and constructive techniques transferred by the Spanish Master Builders works in the sixteenth and seventeenth centuries, and whose influence on the transmission of architectural models developed in the region and original ornamental concepts spread strongly in the high plateau to the regions of La Paz, Oruro and Potosí in the former Audiencia de Charcas (current Bolivia) enriching itself with the local contributions.